Las Isla Bonita Señorita Skater

Hóla! The urge to make something Iberian inspired overtook me as soon as I laid eyes on this gorgeous floral jersey. A seductive and passionate mix of hot pink, turquoise and lime flowers on a deep black background it said sultry and Spanish to me straight away. It demanded ruffles and flounces, hoop earrings and the stamp of flamenco shoes to the click of castanets. I imagined myself wearing it in a tiny bar in one of the squares in Seville, sipping aromatic sangria while shooting steely glances over the top of a lace fan.

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It also made me think about the dresses my mum used to wear in the late seventies. She was queen of the flounce in those days, and when you look back at the patterns from the time they are laden with ruffling, frills and tiering in every conceivable place. My mum’s favourite make at the time was a ruffled skirt. A plain waistband with a gathered skirt, that would then fall into more and more ruffled tiers as you reached the hem. My favourite was a black and white polka dot version that she would pair with wedges, a cheescloth peasant blouse and a velvet choker. As she moved you would catch peeks of the broiderie anglaise trimmed cotton petticoat that gave the skirt its added swoosh.

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I looked at loads of knit dress patterns as a starting point. For a short while it was almost a Moneta. Some things were a given – as we fall headlong into summer here in England it would absolutely have to have short sleeves. However, I’m not keen on plain T-shirt style sleeves on my upper arms. Hmmm, some planning was in order before I cut this baby out.

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I was definitely set for ruffles on my dress, and in the end I decided the skirt on my TNT Lady Skaterpattern would work best for that. But the short sleeves didn’t appeal. I thought about the summer sleeve shapes I liked in my ready to wear tops – and found the bell sleeve. That added flounce would be perfect on this dress! I set about turning my plain short sleeve into a flouncy bell.

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I painstakingly cut and pulled apart the traced tissue piece for my sleeve, extending the bottom hem edge significantly in width. I tweaked and fiddled and amended the new bottom curved edge til it looked perfect. Because this was such an extraordinary undertaking for me I decided to take pictures of the process, as they would make a great tutorial to share with you lovely people. Excellent plan! I took photos at each step, so that anyone wanting to make a bell sleeve adjustment on a sleeve wouldn’t have to suffer my traumatic exerience. This is where I share that process with you …except … I’ve lost my camera.

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I should also point out that this was not a little camera to lose. It was a massive and clunky Nikon D300 with a big ole lens wacked on the front. It’s not the kind of object you can lose between some sheets of paper or tucked into a pile of newly washed socks. Neither my bloke or I have seen hide nor hair of the Nikon for the best part of a month now. We have ransacked the whole house top to bottom many times, along with the car, the sewing shed, my office, his office … and it has literally gone without a trace (my lovely sleeve adjustment pics along with it).

Anyway, because I wasn’t sure if my new sleeve pattern piece would work I cut it from some other scrap jersey fabric and basted it in place. It was pretty perfect for a first attempt. A little on the long side so I shaved off some of the length, cut them out and set about inserting the new sleeves into the dress for real.

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I love the little flounce that the bell sleeve gives the Lady Skater. It’s unexpected and girly and incredibly comfortable to wear. Next up was the skirt. As usual I added to the bottom circumference of the skirt piece to use the full width of my fabric – it just gives it more va va voom in the wearing. I cut some pockets from my Moneta dress pattern (I T, do solemnly swear, that I shall never ever make another dress or skirt without pockets because they are such darned useful accoutrements). Then it was all about the frill …

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There are basic maths rules to do with frill widths and as I recall to get a nice looking frill you need at least double the measurement of your edge. I looked at the fabric I had left – I had enough to cut four widths of the fabric. At 60″/150cm wide that gave me 240″/6m of fabric. Yay! Ah, foolishly I started out by thinking this was a good thing. Then I realised there is a very good reason that you don’t normally see ruffles on knit dresses. It’s because they are, as my ex mother in law would say, “a whole lot of work honey”. Let this be a warning to you all – jersey does not gather well by traditional methods. Believe me, I tried and I quickly realised the only way I was going to get even gathers in this frill would be to pin the whole thing by hand.

It took three evenings to divide the frill around the skirt and then pin and gather each segment. I would work on each section until I had used all my pins, sew it and then pull out all the pins to start again on the next. Did I mention I took some lovely photos of the process so that … oh. *sigh*

Sometimes, though, painstaking things are worth the effort and I was delighted with my finished frill hem. The weight of the jersey at the bottom gives the skirt this wonderful swing, so that it continues moving long after I have. I submit all skirts and dressed to the twirl test (a patented move I have been practising since my sixth birthday) and this one’s a doozie!

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So there we have it, one La Isla Bonita Senorita Skater dress, perfect for sultry spanish nights or prancing through an English meadow. Did you notice my lovely matchy matchy necklace and bracelet? These are entirely credited to my mum who gave up one of her leisurely Saturday afternoons to help me make them. What can I say – she’s great like that and a total jewellery making goddess.

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I have already cut out and nearly finished another bell sleeved Lady Skater, although this time sans ruffles and in a very short length for me (knees out and all). Shocking. More details coming soon. In the meantime, if you happen to see a sad little Nikon wandering the streets looking lost, with his lens cap tucked into a folded kerchief on a twig, please send him home again. The house isn’t the same without him.

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Pencil perfection – the heavens to Betsy skirt

It’s officially June, so that means summer in these parts, although given how much terrible weather we have had recently this news may come as a shock. For me, summer is a time for florals, polka dots and frivolous prints (you know how much I love a good novelty print). Anyway, when I caught sight of the lush parade of vivid flowers on this stretch denim (from my new favourite online fabric shop myfabrics.co.uk) the magic internet fabric pixies intervened … and by the end of that week it was draped alluringly on my sewing table.

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Originally, I was thinking of making some floral shorts with this fabric, but when I was asked by Abby of Blue Ginger Doll to try out her new skirt pattern I knew this had to be a Betsy skirt. The Betsy skirt is a lovely retro styled pencil skirt with three options, a simple version with button tab waist detail, a wrap skirt version and a high waisted version with concertina kick pleat at centre back. The skirt is cut to flatter a curvacious, hourglass figure, and is one of Abby’s newest patterns, available from a US size 6 to a 24. I plumped for View A, the plainest of the options, as I thought the fabric was pretty busy on its own.

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I cut a straight 22 on the pattern (based on my hip measurement) and it fits perfectly straight from the packet (Abby always advises sizing up with her patterns if your measurements fall between sizes as her patterns have reduced ease). It was a wonderfully quick sew and I fell head over heels for the double dart detail on both the front and the back of the skirt. These little darts are a breeze to sew and there-in lies the magic of the skirt – it will really fit you. I nearly forgot to mention that Betsy also features an invisible zipper closure, but please don’t let that put you off. If you follow the instructions it’s really easy and it looks so amazingly neat once you’ve done it that you’ll never want to do an ordinary zipper again (I promise). Okay, so check out those double darts and kickpleat action!

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Now, let’s be clear. This is no ordinary pencil skirt, for girls I have to tell you, this skirt has wiggle! A whole lotta wiggle. In fact, I defy you to wear this and not sashay as you walk.

I don’t often wear pencil skirts as I find it hard to get a good fit (because of the dramatic difference between my waist and hip measurements). But in this pattern that is all taken care of, and better yet the skirt then nips in further towards the hem to give you that full on Jessica Rabbit silhouette. For me, this is a skirt that begs to be worn with heels. It cups your curves, accentuating the good and seemingly smoothing over the less good bits of your body … and I like that.

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It reminds me of something Joan in Mad Men would wear, which is where I got the inspiration for the little cardi draped over my shoulders, although I’m sure Joan would opt to wear hers with a plain short sleeved blouse and pearls. That girl has style.

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My recommendation for this pattern is almost any fabric you can think of, from wool in winter to a lovely bright cotton in summer, satin for a party and tweed for afternoon tea … a world of opportunity awaits.

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As for my choice? Well, it is me, so I went a little crazy, you know what I’m like with mixing colours and patterns. Florals and polka dots and chevrons … I say bring it on! The key to making this “I don’t give a damn what the rules are” look is to pick colours that are repeated in each element, and you can have two or three key colours that you mix and match. I focused on the hot pink for shoes, jewellery and cardigan/jacket and then picked up the blues for my bag. By sticking to the simple rule and using the same key colours in your print choice and with your accessories, you can really go to town on the prints that you use. Also, think about the scale of the print, so a large floral with a small polka dot will look more balanced than two large scale prints alone. Most of all, be brave! Clothes are so much more exciting when you start to wear what you really love. Trust your instincts.

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I am not the only one to pick a floral for this skirt. You must head over to check out Tanya’s wrap version in a covetable rose print. Just gorgeous! Hey, the Curvy Sewing Collective girls rule.

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Lastly, it always makes me smile when my Dad tells me he has read my blog (bless him). Unlike my Mum, he has no interest in sewing, and I think he reads it just to catch up on my adventures. This morning though, he made this comment on his Facebook page,

“Just read T’s blog. It’s possible I may be a bit biased but she can write a great story. The sewing’s not bad either. I can’t believe this is the same person who cried when the school tried to take a picture of her age 5.”

It made me laugh. He is referring to an incident in my first months at school. It was essential for every schoolchild to have their photo taken, so it could be printed out for purchase by parents and then framed and put on the sideboard of all the doting grannies and grandads. I have foggy memories of that day, but I do remember them putting me on the chair in the bright light and telling me to smile. I kicked off … big time. Seems I was not pleased with this turn of events and I had a total bawling fit until they gave up and left me alone. This is why the school photo my parents had of me that year was sitting at a desk with the hair over my face concentrating really hard on making a fish collage from eggshells, rather than the trad cheesy-mcsqueezy grin fests of my classmates. I have glue on my sleeve and red rimmed eyes, but I appear happy in my task.

The thing is, the more I think back to that day the more amazing I feel about where I am now. I spent much of my life hating having my photo taking, lurking at the back of group photos trying to hide from the lens and avoid the limelight. Nowadays, I may still be equally as happy in spending time making an eggshell collage, but this blog has made it okay for me to stand in front of the camera. I am now fine with putting my plus size self out there for the world to see. I have been so inspired by other plus size bloggers over the last couple of years, and it was them who gave me the courage to stop hiding and start my own blog last autumn. Long standing followers will note that my first makes on the blog did not appear on me, but I quickly gained the confidence to change that and step in front of the lens.

So, to all the sewing bloggers out there, whatever your size, shape or hang ups, thank you. You have helped me learn that it’s not just about the sewing, it’s about learning to be happy with who you are and understanding that by sharing that you can help others overcome their own fears in turn. That kind of confidence is a gift and you wear it with you everywhere you go. It will change your life. It has changed mine.

The mythical Shirt of Perfect Fitting

There is a legend. I don’t know if you’ve heard it, but if you stand very still next to the pattern section of a fabric store and listen really, really hard you can sometimes hear it… the faintest echo of a story told long ago, from lands far away. Hush now, and really listen to the soft whispers of the pattern catalogue as you turn its pages … can you hear what it says? “Once upon a time in a land far, far away there was a perfectly fitting shirt …”

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Pah! So many times I have slammed the book shut in disgust and marched from the store in outrage at such tellings and well, let’s be honest, lies. You see, I have made a veritable cavalcade of shirts. It’s not quite millions (sometimes it feels that way) but let’s say I am no stranger to a stand collar and cuffs, sleeve plackets and yokes. I have made them for men through to teens and even wee ones, so have used a lot of different patterns over the years, all with their own distinct flaws. Patterns from the big four are the main ne’er do wells in this tale. They promise so much with their shiny faced metrosexual models on the front covers, all crisp contrasty bands, muscular arms and white teeth. Even though you should know better you fall for it, buy the pattern, cut out your awesome fabric and then your hopes are dashed as your bloke ends up looking like this …

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*sigh*

No, I did not inadvertently cut out the size XXL … amazingly this is a New Look size large, for a 42″ chest. (Clutch stomach and roll around the floor laughing hysterically.) Coincidentally, my bloke also has a 42″ chest. Fancy that eh? Yes, I am sure, I double checked with two totally different tape measures when I started to fear I was losing my mind. The problem, it seems, is ease, or E—A—S—E in the case of this shirt! Can you guess how much ease there is in this pattern? It’s over eight inches on the width. Eight extra inches? One can only imagine what a man would be doing to need that much ease in his shirt – swashbuckling perhaps, or swordfighting, or smuggling kittens – the mind boggles. However, I think it is safe to say that your average man on the street does not need such a loose fit.

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I am sure that these shirts would run up perfectly for a hero (or villain) in Game of Thrones, after all with all that womanising and pillaging they probably need such roomy garb, whether for launching themselves into bed with a bevvy of beauties or slicing someone’s head off (the ultimate active lifestyle) but for a modern day man in quiet Oxfordshire … not quite so relevant. Then there is the no small matter of the sleeves – surely drafted for the gene pool remnants of neolithic man, they pass over the entire hand and finish an inch or two above the fingertip. And I haven’t even mentioned the giant Brady Bunch-esque collar line. Yes, safe to say this one is an epic fail. My bloke looks like an orphan in it.

I have tried so many shirt patterns over the years. Some are cut massively wide, or short, or feature miles of painstaking hand stitching (an automatic rejection in my book). But then a few months back I was reading a blog that talked about a man’s shirt pattern that actually fitted! “Wow, that’s raising the bar,” I thought. I scribbled down the make and name onto a post-it note and stuck it in my purse. When the fabric store was having a sale on patterns recently I unearthed my tattered note and bought the pattern. Time to start the quest…

I gathered my materials, set aside my cynicism and started making. So, did I learn my lesson and cut a toile? Ummm, no. Hey, life is short and I have enough fitting to do on myself … if I’m sewing for my bloke it need to fit from the packet people! What I did do was compare it to a couple of his best fitting RTW shirts. And you know, it looked pretty good side by side. I used some quilting cotton I got a while back from the States and paired it with an offcut of buttercup yellow cotton for the contrast and then cut it out. It was an easy sew and I loved some of the details in the instructions, much of it eliminating hand stitching but still giving an excellent quality finish.

And then I had finished. With a final press I went off in search of my bloke for the final test … the fitting. What is amazing is that the finished fit is pretty darn perfect. On the next one I will slightly tweak, by lengthening the body half an inch and shortening the sleeves a tiny bit, but other than that it is very good indeed.

So, here it is ladies and gentlemen, the mythical Shirt of (almost) Perfect Fitting – Burda 7045. Put it on a pedestal, light some scented candles and bring it gifts. Men’s shirt patterns don’t get much better than this.

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A lazy girl’s polka dot Olive top

I was practically doing cartwheels last month when I was asked if I would like to test the latest pattern release from Amity at Lolita Patterns. As you probably know, once you reach the boundaries of “plus size” sewing patterns, choice thins dramatically, often veering dramatically into the ubiquitous human cube/circus tent silhouette. For me, that is not a good look, so anything I can do to help promote indie designers who graciously include plus size grading in their patterns is a given.

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Olive is a little fitted peplum top, with a couple of options, from a sheer draped overlay to optional flower details and a lovely pleated sleeve head. The pattern comes in sizes 2 to 24, so there’s plenty of scope in there for almost every body shape! There have been some truly lovely versions on the blog tour (check them out in the links at the bottom) from crisp white linen to teal chiffon, the pattern can look very different depending on your fabric choice and styling options. I am always very cautious of flowery drape over my capacious bosom, so I thought View B was more my cup of tea.

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This is the first Lolita pattern I’ve made and I was extremely happy with the way the pdf pattern went together. Maybe it was being able to match all the tiny little skull icons when piecing it together (appealing to my inner goth) that made it so quick and easy, or the fact that every single part matched perfectly (no, really), but it was a breeze. Do pay attention to the cutting instructions though, especially if you are making the version with the overlay, as many pieces should only be cut on a single layer.

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I cut a straight 18 for this top and it was an almost perfect fit straight out of the pack. Amity does tell you to choose your size based on your hip measurement (so that you get a nice fit on the peplum) and that’s a really helpful note, as if I had started with the size 16 I think there wouldn’t have been quite enough booty room. I made my muslin from some really crisp cotton and was pretty pleased with the overall fit and design. Now, I don’t know about you but when I have made a muslin I do lots of parading around the sewing room in it, posing this way and that in front of my full length mirror to check I am happy with both the fit and the overall look of a piece. Normally I have pins in my mouth as I tackle any errant or ill fitting seams (yeah, I know, living on the edge). Apologies to any health and safety conscious sewers who are currently wincing (I blame my mother). Anyhow, somewhere in the midst of these proceedings my bloke walked in and made that face, you know, the ‘Hmmmm, I’m not sure’ one. There was a pause before he said, “Wow, you look like Krystal Carrington.”

My sewing brain screeched to an immediate stop. Could it be true? Was I really rocking the look of the ultimate 80s power dresser who could simply biff people out of the way with a twist of her shoulders if they pissed her off? She took 80’s power dressing and shoulder pads to a whole new level. Now, it’s no secret I am a child of the 80’s and spent my teenage years draped in ruffles and velvet waistcoats – thanks Duran Duran and the New Romantics. At the time, both myself and Princess Diana (then Lady Spencer), could be found sporting sheer blouses with lace inserts and ruffles teamed with burgundy velveteen knickerbockers. You did read that right first time, I said knickerbockers. *sigh* Please note, fashion police, I have paid for those crimes repeatedly over the years in all the photos of me in aforementioned outfit.

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I checked out my puff sleeves in the mirror again. Yep, they were of an extreme puff level due to the firm and crisp cotton I was working in. I needed to find something with more drape. As you know, I have a lot of fabric in my stash. Actually, I have decided to adopy Carolyn’s strategy and start calling it my Collection (doesn’t that sound distinctly more purposeful?). So, back to … the Collection … despite rummaging in every colour set and storage box I couldn’t find any fabric that would work, everything was either too firm or the wrong kind of print – I have very little in the drapey section. As I sat back surrounded by piles of lush textiles, my eyes caught sight of this lovely polka dot print in the corner. It’s a funny kind of colour, like a slately grey purple which I’ve decided to call chocca-mocca-lilac. I picked it up on my last trip to Goldhawk Road. It would look lovely in the top, but … it was a knit fabric. Hmmm, controversial. Would the lovely Olive top work in a stretch jersey?

With no experience of making a pattern designed for wovens in a knit, I used a mix of luck and common sense to guide me. I cut a whole size smaller throughout (back to the size 16) and changed the order of construction too. With a knit I could do away with the back seam, side zip and the facings. The order of sewing was now construction of the main upper bodice I then serged the waistband front and back together before attaching and likewise with the peplum. The sleeves I sewed on to the bodice flat before doing the bodice side seams. Lastly I nicked the idea from my Moneta dress of simply hemming the neck edge which worked a treat.

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It was a pretty fantastic fit for a renegade make and it was super quick and easy. The ultimate lazy girl make perhaps as it has minimal fit issues because of the stretch and no time consuming fastenings to worry about. Please forgive me the creased sleeves in the photos but I wore it to the office the day before so it has held up pretty well. I will be making a few changes to my next one, grading down a little more at the waist for a slightly more defined silhouette, narrowing the shoulders a smidge, maybe adding another inch to the peplum and reducing the sleeve width slightly, but these are all tiny tweaks to what is a suprisingly flattering top on me. How lovely to have a truly plus sized design that is figure defining rather than hiding. I still fancy a version in a woven fabric, especially after falling in love with Carolyn’s ethereal white linen make, and I have now learnt that as long as I avoid anything too thick or crisp I can avoid any previous shoulder issues.

A big thank you to Amity who gave me the opportunity to test her new pattern, you should also check out her other lovely patterns. I have seen so many wonderful versions of the Gunmetal Dressthat it is now firmly on my to sew list.

Lastly, a note about my newest bag. Bloke and I recently went to Brittany, France to celebrate our birthdays. In the winding cobbled streets of our medieval town on the hill we spied this lovely little shop with this bag in the window. Every day on one of our walks along the ramparts or across the town square to the market I would press my nose against the glass of the window to gaze at its floral lusciousness, yet the shop remained firmly fermé. We found out that as it was the May Day holiday many of the little boutique shops had closed for the week. I resigned myself to the fact that bag of wonder and I were destined never to be united. Then, on our very last day, I noticed that there was a light on in the tiny shop. I tentatively pushed the door to hear a tinkling bell announcing my arrival … and the bag became mine. Oh Bag of Floral Gorgeousness, your ability to make me smile has in no way diminished since we returned to English climes. My latest accessory love affair.

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Taking a Greyhound on the Hudson River Line …

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I love Manhattan. I have a very complicated relationship with the city that goes back many years. You see … I met my ex-husband in New York City, in the aftermath of a huge airport closing snowstorm.  It was my very first time Stateside and I was in total shock and awe mode from the moment I left the airport. The whole city was perfectly iced in swirls of irridescent white snow and the arctic February temperatures were not the only thing to take my breath away. Everything was bigger and brighter and bolder than I anticipated and to suddenly find myself in the midst of yellow taxi cabs, sidewalks with grates puffing out steam fountains into the chilly air and looming skyscrapers in every direction was, well, utterly intoxicating. It was like starring in my own movie.

I suppose I am something of a country mouse at heart, despite living neatly between London and Oxford and visiting both cities regularly for business and pleasure, I had never really seen myself as a city kind of girl … well, not until I met Manhattan. I gawked at every new sight, sound and sensation that assaulted me in those first few days. This is no small thing from someone who grew up in England you know. Gawking of any description is not encouraged because, well, it’s just not very British (stiff upper lip and all that).

It was love at first sight with the city. I marvelled at almost everything … slices of paper thin pizza as big as your head which oozed down your fingers as you ate them, dark little all night jazz clubs in the basements of Greenwich Village bedecked with gas lights, and people, all kinds of people, just everywhere. On top of this heady mix I was in the midst of a whirlwind romance … we went skating on the ice rink in Central Park amid the snow capped buildings (even my thermal long johns did not deaden the romance of that experience), we ate in tucked away little restaurants surrounded by the locals, and drank cocktails in Manhattan’s coolest piano bars. Less than a year later we were married.

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Over the next few years I became better acquainted with the city. I discovered the delights of the 18 miles of secondhand books at the legendary Strand Bookstore, and would frequent it just to stand besides the shelves and inhale all those words waiting to be discovered. I shared the ups and downs of the different neighbourhoods, unearthing new favourite places in each. My trips became longer and I felt more and more at home.

When my relationship suddenly ended, I feared my dalliance with the city was over too. How would I feel walking through the park, watching the people, grabbing some cheescake from our favourite deli, when almost every block and street corner had a memory attached? It took me more than two years to decide I could face going back … and I have to admit, there were some tough bits on my first return. To this day I can’t visit the ice rink in Central Park, but mostly, it was fine. And better yet, I still loved the city. Each time I return it is easier, with new memories overlapping the old.

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So, you can imagine how delighted I was when I first saw this crazy digital print pop up on the myfabrics.co.uk website. The perfect antedote to those “I miss NYC” moments it featured a beautifully graphic photo montage of some of NYC’s finest architecture. Even its autumnal palette of purples, aquas and golden yellows (a world apart my normal tonal range) wasn’t going to disuade me from purchasing a few yards. This soft viscose and spandex jersey did not disappoint when it arrived, it was the perfect mix of bold and bright, with New York, New York typography splashed over the print with abandon. It just had to be a dress.

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Now remember, this was a couple of weeks ago, before I discovered the uncomplicated beauty of the Colette Moneta (if that pattern had been published, who knows what this dress would have been!) so I instead turned to my ultimate TNT dress pattern … the Lady Skater. (Also note that these photos were taken pre my latest hair cut.. Every time I get close to a birthday I have my hair cut a bit shorter as I see it as an antedote to ageing … heaven knows what this means I’ll be sporting when I’m a pensioner, but I’m pretty sure it’s going to make people stare.)

Back to the Lady Skater dress … because of the very large elements of the print (gigantic arched windows and huge skyscrapers) I was very, very cautious how I cut it out. I did not want to risk an arched window frame over each breast, or worst still, an error in the centre front skirt that would give Gateway to Manhattan an unforgettable new meaning. This pattern has hit the sewing table so many times I could practically sew it while I’m asleep, so after my shennanigans with fabric placement, from start to finish the dress took just two hours. I made my usual adjustment for a short bodice, sewed the neck facing band in one piece rather than around and then shoulder seam (I just prefer the neater finish this gives) and added a little extra width to the skirt for swooshiness. Other than that is was an easy sew … in fact I made it in the morning and wore it to a family birthday dinner in the evening. Sewing doesn’t get better than that!

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Anyway, here it is … my New York State of Mind Dress, a patchwork of old memories and new ones.

A “don’t eat the daisies” Moneta

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Grab your bunting people, wave a few pom poms, or perhaps bring on the marching band to announce the arrival of this fabulous new dress pattern. The Moneta is the latest number from the team at Colette patterns, and part of the Curvy Colette’s plus size blog tour. Believe me when I tell you this is a life changing dress.

Let’s be honest, I can occasionally be a bit of a fickle creature, and my friends know I have the attention span of a drunken butterfly when I am excited. I flit from this to that, ooohing and ahhing over this pattern or that print but not committing in a big way to anything new. So, it may surprise you to know that I am totally in love with this dress pattern, and I see more endless style possibilities every time I look at it.
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What’s so special about a simple knit dress pattern? It is all in the cut. I have to be honest, when I first looked at the bodice pieces next to my Lady Skater dress pattern to check sizing I couldn’t imagine how the bodice was going to fit as the pieces have a slightly unusual shape to them, but do not doubt them … that is where the magic happens!

My starting point with this dress was this lovely emerald and white daisy border print jersey which has been languishing in my stash for many months. I bought it on a whim in a local fabric shop last year, and what drew me to it – the very strong border print running along both selvedge edges – made it quite limiting when contemplating new projects. However, as soon as I saw the Moneta technical drawing I thought it could be perfect for the daisies.

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The dress has very simple construction, with just 10 pieces in the version I made (and 4 of those were pockets!) so it can be made very quickly. I cut the XL, grading up to a 2XL for the armhole scythe and using the 2XL sleeve (I have really wide upper arms and hate a knit dress that hugs them too tightly). I also cut a 2XL for the skirt to add extra width and swoosh to the finished dress. It was quite a fiddly layout to get everything to work on the border, and in the end everything was cut at 90° to the grain so I could get the tumbling daisies at the bottom of the skirt hem and at the sleeve edge. My knit fabric had even stretch both ways so it worked out perfectly.

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The Moneta also comes with lots of options for collars and bodices, including a fully lined sleeveless version, a short sleeve version, a very “Audrey” collar and a myriad of other downloadable neck treatments. I believe there are 21 different designs if you count all the mix and match options. Because of my busy and bold fabric choice I opted for the plain neck and three quarter sleeve for this incarnation. Also, all the views have pockets! I am obsessed with pockets and love them in dresses, they increase the wearability so much, but I can’t explain why! I have never put pockets into a knit dress or skirt before so this was new, but I will be using these pockets in every single knit garment I make from now on. They were a breeze to do and hang really nicely.

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The bodice ran up very quickly and I was delighted with the fit … no changes at all. I moved on to the skirt. Now, this is where I had a few problems. The idea is that the skirt width is simply gathered up using clear elastic. You mark four divisions on your elastic width (measured so it corresponds to the bottom width of your bodice) and then align these markers at centre front and side seams of the skirt pieces and then just   s–t—r—e–t–c–h  to softly gather the skirt. Ahhhh … this is where it went a little bit wrong. I don’t know if I am just special or if we have the wrong kind of clear elastic here in the UK but mine just wasn’t especially stretchy and I had a devil of a job to get this bit to work. In the simple process of trying to stretch my non-stretchy clear stretch elastic I broke two needles in half, scraped the flesh off one of my knuckles and generally had a bad time of it. Worse still, when I tried it on once I had finished the gathering, the skirt was too wide and sat a long way from my body and with the weight of my skirt fabric the bodice had dropped, so I now had a dropped waist style dress (how very 1980s). It was time for the scissors.

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Sewing sometimes requires blind faith and extreme scissor action so I was brave and simply chopped the whole lot of skirt gathering off. Then I reduced the length of the bodice by two inches and started again with the elastic on the skirt. This time, instead of trying to stretch to the four markers, I just stretched the elastic as much as was physically possible (without injury) all the way round the top width of the skirt pieces. This meant a little more stretching was required when I attached it to the bodice, but it worked out perfectly.

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The neck on this pattern also surprised me, as it suggested a simple turned under and stitched hem. This isn’t something I’ve ever done before, but I overlocked the edge and did a 3/8 hem and it worked a treat. What’s wonderful is that it still creates a stable and pretty neck. The neck is the perfect height and width for me and this is cut straight from the pattern with no alteration.

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A quick hem of the sleeves and skirt and I was done. I was so excited by my new dress that I donned it immediately, and after doing some test twirling in the back garden (yes, it is a suitably swooshy finished skirt) took it for our afternoon walk by the River Thames in Marlow. Not only is this dress a stylish addition to any wardrobe, but I think you could be really creative with the styling given the number of design options available. I am already planning a nautical version with the little tie collar, a blue and white floral maxi version and …

I have a feeling this dress is going to turn into an addiction, much like my recent Lady Skater fetish. In comparison to the Lady Skater it stacks up really well and I like having all the neck options to play with in future versions. I also have to say I love the softly gathered skirt on this style and think it’s very flattering and easy to wear. Unlike my skater dresses this one is more forgiving after consumption of cake and that should not be underestimated!

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If you’d like to see more Monetas in action then don’t forget to check out the other amazing Curvy Colette Plus Size Blog Tour makes. The girls have already produced some outstanding garments, from Jenny’s nautical stripes to Tanya’s bright pink tropical number and Laurence’s super cute eyelet dress. And there are more on the way!

A summery flower power Mabel skirt

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Toot toot! Would all passengers aboard for the Curvy Colette Plus Size Blog Tour please alight at the stone steps for your first peek at my incarnation of the cheeky minx Mabel skirt. That Mabel’s quite a hottie, with figure hugging seams for all your curves (and yes, I mean all of them) and truth be told she’s a little fast … you can easily run one up in a little over an hour (yep, you read that right, an hour!)

For those of you who have no idea what I’m talking about let me introduce you to one of newest sewing pattern releases from independent pattern company Colette. With their two new releases Mabel (this foxy skirt) and Moneta (a super cute and easy wear dress) Colette are not only introducing knit patterns into their range for the first time, but each of the new patterns now runs from XS to 3XL. Hurrah! Excited pom pom waving for Sarai Mitnick (Colette genius) and Alyson Clare (knitwear goddess) for teaming up on this brilliant project.

I received my patterns a couple of weeks ago and have to admit, like Laurence, I blanched a little at the technical drawing for this skirt when I first saw it. It was going to reveal ABSOLUTELY EVERYTHING, and as someone who would fight to the death over a fit and flare dress, let’s just say it was a loooooooong way from my comfort zone. I knew the key to making something I liked would be fabric choice so I set about a grand search for a knit that was a bit different. This is not as straightforward as you may think. It turns out quality knits in interesting prints with lovely colours are as rare as rocking horse pooh here in the UK. I had to don my fabric explorer rucksack and venture further afield.

Eventually, after perusing almost every fabric shop within 30 miles of my house, and spending hours trawling the internet, I stumbled upon this gorgeous knit online, and was immediately smitten. A vibrant watercolour sploosh of cobalt blue and egg yolk yellow it was the perfect springtime print and I ordered it immediately. Two days later it arrived and the colours did not disappoint. The fabric was a little thinner that I would have liked (a ponte knit or knit with similar definition is recommended for the skirt) but I decided to press ahead and see what I could do with it.

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So as not to disrupt this gorgeous print too much, I opted for the skirt version with the single front panel, but adapted the length so I could use it with the longer back pieces (with a little kickpleat). I don’t have many boundaries clotheswise, but my bare legs in a super-fitted super-short miniskirt were always going to be a no go for me. I can imagine a shorter version with thick tights and a chunky sweater in winter though. Anyhow, brace yourself for the amazing bit … this pattern fit straight from the packet! *silence* Shock and awe. I cut the 2XL because I wanted to have some drape for my thinner weight fabric and it worked a treat. The only other alteration I made was to grade at the waistband down to the XL.

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Ahh, a short interlude for a gratuitous shoe shot. Custard yellow suede sandals from last year’s collection at Clarks. Yellow shoes will make you smile on even the dullest of days!

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The construction of the skirt was a delight and I loved the method of trimming your facings to make sure everything lies perfectly when turned. It’s inspired and something I will use on other garments. I had a few problems with my machine for the hem of the skirt. I just couldn’t get the twin needle stitching to lay right on this fabric, despite much twiddling of tension knobs I still ended up with a mini mountain range at the bottom of my tester fabric strip. In the end I went for a much safer overlocked edge which I then folded and did a single line stretch hem on my sewing machine, which I’m delighted with. The extra depth on the hem really helps the weight at the bottom of the skirt so that it hangs nicely.

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You should also know that once on this skirt is so comfortable it feels like you’re not wearing one. Because you have a lovely wide waistband with shaping, it sits perfectly and you don’t have to worry about it twisting or moving or rucking up. I was amazed at how good it was just to walk around in all day. My next task was to find something to wear with my new skirt. Other than jeans and denim shorts I don’t wear many separates so my tops choice is pretty limited. When digging in my stash I stumbled upon this gorgeous cobalt jersey T Shirt fabric and pulled a Simplicity pattern out of the stash that I thought would be lovely with my new skirt. I opted for Simplicity 1463, a simple little v-neck top with some nice details (gathering at the back neck, fluted sleeves and an interesting pointed hem). Wow, this pattern was a disaster. What is it with the Big 4 that if you are over a size 14 they add in an extra 8 inches of ease? When I first made this I could have rented it out as a habitable dwelling … in fact, if I had pegged out the bottom it would have been a yurt. There was some serious chopping and overlocking to get it back on track. I lost around three and a half inches of width on each side just to make it vaguely wearable. (This pattern now lives in the bin.)

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See how real my printed flowers look and how entrancing the colour combo … that’s a wee ladybird who decided that I looked like a lovely flower.

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Despite my reservation with the top pattern, the cobalt blue looks great with the print skirt, and for shoot day I opted for two looks, a more formal one with a tucked in top, accent belt and heels, and a more relaxed untucked vibe with sneakers and a casual jacket.

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This second look is probably how I will wear the skirt most often. It’s the perfect thing to pull on if you are out and about and want to look dressed but casual.

For more Mabel Inspiration you can also check out the posts from Mary and Lawrence. The other gals of the Curvy Sewing Collective will also be modelling their new skirts over the next few days.

The Japanese blossom Winifred dress

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I have always loved the idea of a shirtdress – the perfect blend of smart lunch attire with a nonchalant nod towards “I haven’t really bothered”. They are also generally a friend of quilting cotton and are perfect to use up the miles of jolly prints languishing in your stash (that’s just a general statement you understand, rather than a pointed observation!). I have admired many a shirtwaister dress over the t’internet miles this past year and once even decided to give one a go, however, it ended very badly. The trouble is, you see, shirtwaisters don’t normally do anything at all for my body shape, consequently I pass them by.

So, it was with some interest that I noted the arrival of this new pattern from Blue Ginger Dollpatterns last month. The Winifred Dress looked very interesting indeed, especially because of its unusual construction. The dress is in two halves front and back with no waist seam, the pieces are sewn together at the centre front and feature these weird looking but ingenious triangle darts and an easy fit elasticated back. You can add smocking to the back or keep it simple with an elasticated casing with cute buckle & belt feature. I was immediately smitten.

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What made the pattern even more appealing was that it is cut for a D cup! Hallelulah! Someone who caters for a bigger fit in the boobage department. I bought the pdf, printed out and took the pieces to the sewing shed for assembly. It was a really lovely and easy pattern, and I cut my first toile in record time. As I am an E cup I thought that I would get by with a two inch FBA. (oh foolish human, do you not hear the Sewing Gods laughing!) There were really clear instructions on the Winifred Sew-a-Long on how to do the FBA on the front pattern pieces and then move the triangular darts to their new position. I took my time with the alterations I needed and by the next evening I was ready to hit the sewing machine. With so few seams to sew to be able to try on to check fit, it was an extremely satisfying toile to run up. Imagine my horror though when I pulled it on and it ripped! Oopsie.

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The problem was, as usual, my bust, and after drawing all over myself in pencil (on the muslin I hasten to add) I decided I would have to move the upper dart (from my FBA), increase the back length of the armholes and add in an additional 2 inches to my FBA. I underestimated exactly just how much fabric it takes to swathe my ample bosom! Toile 2 was vastly improved but still not quite right. In the end I did a 5″ FBA on this baby to get the right fit, but am now really happy with it. The fabric (from a relatively recent stash acquisition) is a reproduction vintage japanese print, spied by my eagle eye at the Knitting & Stitching Show. Not my normal colourway, but the mix of hot pink and aqua is so eye catching it would have been rude not to.

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Because the fabric was wide, I was able to cut my back piece on the fold, eliminating the centre back seam, and I also decided (for comfort at work more than any other reason) to opt for the shirred back version, ably demonstrated by the amazingly talented Heather. The other major hack I made to the dress was to move the opening of the dress down significantly further than on the original design. I added an additional 3.5 inches to the split length and the accompanying facing to flash a little more flesh and the gentle curve of cleavage … hey, if you’ve got it …

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As a final touch I couldn’t resist adding a bias hem in a tiny polka dot contrast. This lush pin dot from Michael Miller (Mr Miller, your fabrics are my guilty pleasure) is available in bajillions of colours. I would like them all. This particularly pink version is called Garden. It sets of the rest of the print a treat and also gives the skirt a lot more swoosh in the wearing.

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And funnily enough this dress is pretty swooshy, even though it doesn’t have acres of fabric in the skirt … a result of its very clever cut. When I put this on I feel like Doris Day.

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Finally, a quick word about my shoes. When my shoe closet holds its Olympics this pair will undoubtedly win a medal. They are the pinkest, hot pink peeptoe suede numbers with a perfect heel height – every time I wear them they make me smile.

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Time for peacocks & pocket watches

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You know how it is when you see a fabric and fall head over heels in love? That’s what it was like when I first set eyes on this amazing peacock print. I know that I have ongoing bird print issues, yet I am still drawn to them, from penguins to swallows and every kind of avian beastie betwixt and between. So when this print popped into my Twitter feed I was immediately hooked, and clicked through to find out more. What I had inadvertently stumbled upon was a brilliant crafting tournament, to be more precise, the Hillarys Blinds Country Crafts Competition, celebrating the launch of their new range of Country Retreat fabrics. The rules of the competition were simple … pick from one of the four featured prints and the lovely fabric fairies at Hillarys would send you a one metre square piece of delectable cotton to make whatever you fancied. Seriously. All you had to do was come up with a unique item for your chosen fabric, make it, and then write a blog post about it to enter. The gilding on this already very attractive lily (free fabric, free I tell you) was the potential for the very best entry to win a hefty £1000 prize. Safe to say I was “in”.

So, now you are wondering what the other fabric options are I’m sure? No problem … here are the other contenders for your delectation.

I had a brief dalliance with the Wild Poppies print, and even considered the Patina Pewter for a tiny moment, but there was no denying that my heart lay with the Bird Parade print, so I signed up to the competition and awaited the arrival of my chosen fabric. I was not to be disappointed. When it arrived I pulled the fabric from its envelope and to my delight the background was the colour of rich clotted cream, studded with majestic teal peacocks, and featuring a secondary palette of soft undertones … mushroom, lavender, mustard and capuccino … in the foliage and branches. The peacocks themselves were large scale, which made careful consideration of my chosen craft item now a necessity.

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I put on my thinking cap. I love peacocks, they are the most extraordinary creatures, with irridescent plumage in a cavalcade of colour and they have Attitude (with a capital A). It was then that it came to me … there was a weird quote about men, age and peacocks that was ringing a bell. I googled to see if I could find the quote in its entirety (all hail the internet) and laughed out loud when I found this:

At 20 a man is a peacock, at 30 a lion, at 40 a camel, at 50 a serpent, at 60 a dog, at 70 an ape and at 80 nothing.

Well, thanks a lot Spanish philosopher & writer Baltasar Gracian! It’s just as well Señor Gracian and my bloke never crossed paths. You see, my bloke has a very big birthday in a couple of weeks, not just big in the normal sense but a VERY big, “grab your bus pass and let’s go adventuring” kind of birthday. Yet, despite his *cough* extra life experience, my bloke is heading deeper into peacock territory every day. He loves wearing bright and patterned clothes, his taste veers wildly towards eccentric and his no boundaries rule to getting dressed in the morning is on the list of things I love most about him. I decided that the peacock fabric should be destined for him.

With each peacock on the print measuring a whopping 12 inches, I needed something that would allow for good design placement and still fit in with my bloke’s wardrobe aesthetic. After some rummaging through his wardrobe I decided on a waistcoat. My inspiration was a simple unlined Burda waistcoat pattern in my stash, although it soon became apparent after some measuring that it just wasn’t fitted enough and I wanted a fully lined garment rather than a faced one, so I opted to sew off piste … cutting the fabric using an old waistcoat as a pattern guide, adding seam allowances and changing measurements as I went. For peacock placement I decided that an offset design would work best, so I positioned the main peacock at the top shoulder point of the left front. I crossed my fingers once I had everything pinned and placed and started cutting out – the point of no return! I paired the cotton print with a soft pure cotton ticking fabric in pale coffee and cream, emphasising the country feel I was aiming for.

With everything cut out, I decided to do some additional embellishment to the main peacock before heading for the sewing machine.

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I should let you in on a little secret. Hand sewing and I are not the best of bed fellows. I normally manage to stab myself repeatedly in the finger, develop blisters and bleed over whatever I am sewing in the course of prettification, and this time was no different. Yet, I persevered because I was so happy with the results. Adding a crown of teal toned french knots to the peacock crown was just the start … I added a varety of decorative stitches to all the plumage, with running stitch, back stitch, chain stitch & fly stitch details, picking out the colour accents in teal, aqua, cocoa and lavender.

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At last I was ready to machine sew. I am new to making waistcoats, but I decided I wanted proper old fashioned welt pockets for the waistcoat. (Otherwise no proper pockets means nowhere to hide sweets!). Despite my limited experience, I do know that welt pockets are a tricky beast at the best of times, and given that I had no Plan B fabric I decided to do a tester pocket first. Armed with my trusty Vogue Book of Sewing I tackled version one, which was an unmitigated disaster! I tried again. Sadly versions two and three faired little better with puckered edges and weird shaping – I was beginning to lose hope. Then one of my online sewing buddies sent me a link to a new welt tutorial and it was suddenly a whole lot easier. Version four was a total success. (If you need welt pocket help check out this helpful tutorial here.)

I took my time and tackled both pockets for real on the waistcoat and they were a dream! I am so proud of them. This fabric has such a lovely finish when pressed that I ended up with perfect, neat, crisp welts. The rest of the project was a breeze by comparison. I sewed much of it at our Stitch ‘n’ Bitch Craft Day where (thanks to Noelle’s speedy actions) it just managed to escape an incident involving a full mug of hot tea unscathed. Whew! The lining though was tricky … in order to fit the waistcoat to my man I had sewn the side seams, but then I couldn’t for the life of me work out how to turn the lining and the main fabric through the shoulders. After a frustrated hour it dawned on me that the side seams had to be OPEN in order to turn the garment right side out! Doh! The stitch ripper saw some action following that little revelation. Happily without side seams it was an easy job to turn and understitch the lining.

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I was almost done with the waistcoat. The little belt and D-rings at the back, added into the dart line meant that it was a more adjustable fit (depending on how many pies/pints passed its way on an outing) and a little extra handsew of the lining side seams followed by some buttonholes and a final press saw it done and dusted.

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Ta da! The finished Country Retreat waistcoat.

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Such a wonderful garment, perfect for any passing country gentleman.

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My bloke loved this new addition to his wardrobe, and it fit him perfectly, but I couldn’t help thinking it needed a finishing touch … something every true country gent should have … a pocket watch. I thought it would be fun to make an oversized felt pocket watch (think the White Rabbit in Alice in Wonderland) that could be fastened into the waistcoat pocket on a removable brooch pin.

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The execution of the felt pocket watch was a very on the fly experience. After a quick sketch of my idea, I started by tracing and cutting large circle of wool felt and marking the face onto the smaller cream circle in vanishing marker. I carefully embroidered this, added button ‘dials’ and then chain stitched on some hands. Then I assembled the front face. A large circle, trimmed to just an edging was placed over the top and stitched through, followed by a long thin panel that was used as a gusset for the watch body (using trusty blanket stitch this time). For the back I embroidered a peacock feather motif onto another large circle of felt and then stitched this to the gusset too, stuffing the body of the pocket watch before finishing the seam. Some wrapped florist wire served as a great oversize loop wih a little gathered felt ball becoming the top knob. Then I found some thin metallic braid that I French knitted to make a convincing chain. Attach to a brooch pin and job done!

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I knew exactly where I wanted to go to take the photos of A in his finished outfit. Just over a mile from my house are the green valleys and splendid wooded hills of the Chilterns. It was in these fields and country lanes that my grandparents met and courted, and in a tiny Norman church, nestled deep in the curve of the valley where they married.

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My grampy was an old fashioned countryman through and through. He owned a myriad of flat caps, lovingly referred to as his ratting hats. He could tell you the name of every tree, bird or flower you would encounter and was a fan of long nature rambles, cutting a branch from the tree for me to use as a stick as we hiked through the countryside, picking berries and nuts on our way. We’d then run into nan’s kitchen, depositing jewel like berry treasure onto the kitchen table ready to be transformed into a crumble or pie, and she would laugh at our magenta stained fingers, spilling the secrets of the berries that had “got away”.

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We neared the shoot location not long after dawn to take these shots. We saw the last of the dappled misty morning light and there was a distinct cripsness to the air. I love taking photos, even when it means laying on my stomach in the middle of a lake of nodding daffodils. With muddy knees and some lovely shots in the bag we headed home for breakfast.

Hey, Ma … I’ve got a Liebster (& other shock revelations)

Quick, someone call my mum … real proof that not just my family read my sewing adventures came to light this week, when I was nominated for a Liebster award by the wonderful Jenny at Cashmerette. It is lovely to be nominated for any kind of award, but when that nomination comes from someone who you think is a super cool sewing goddess … well, let’s just say that it puts a certain shine on your day. (Thank you, Jenny!)

For those of you who haven’t encountered one of these badges before, they are awards for small blogs to help people discover new blogs they might not otherwise come across. What a brilliant idea!
The format is simple, I answer five questions given to me by Jenny, share five facts and nominate five new blogs. So, here goes:

THE FIVE QUESTIONS:

1. When did you start sewing, and why?

The official version is that I’ve been sewing on and off since my teens. The truth? I was completely uninterested and terrible at sewing when I was younger. I didn’t do it at school and had zero interest in it. I’m sure my mum was secretly gutted as she was, and is, a brilliant seamstress, whipping me up a dress from a tea towel to wear to a disco (no, I am not remotely kidding) or running up a ra-ra skirt from some old curtains (oh, 1980’s, the home of fashion trauma).

The unofficial version is that when I was fifteen and a lowly art student, desperate for cash, I really needed a Saturday job. The idea was that this part time employment would help fund my budding shoe addiction and growing art habit, but there was nothing doing in our village or local town. My mum came home one evening and announced (in desperation, I think, to bring an end to my constant pouty mooching around the house) that she’d found me the perfect part time job – in her favourite sewing shop! Then she dropped the bombshell that she’d arranged an interview for me that Saturday. I panicked … I really didn’t have a clue … so we embarked on an intensive two evening course on sewing basics, enough to get me through the interview. Amazingly, my cramming of the basic sewing skills got me through and I got the job, working in the shop through school and college.

On quiet afternoons in the shop we would use the huge cutting table to pin and cut out patterns, then we’d sew garments together on the test machines in the shop. It was brilliant. I got to know all the regulars in the store and between them, the fabulous manageress Pauline, and my mum, I learnt to sew. Every Saturday and throughout the holidays I’d pick up more hints and teams from the myriad of seamstresses who passed through the doors. I became a much better sewer, although some of my more unorthodox approaches did raise eyebrows! I am proud to still be a renegade seamstress.

2. What’s your favourite fabric store?

Are you kidding? That’s like asking which are my favourite pairs of shoes! (“No, no,” she whispered as she stroked the pink suede high heels, “the converse pumps are comfy, but they are flat, they could never hold my heart like you do …”) *Ahem* I am going to have to throw in a couple of faves here … Hawthorne Threads, an Aladdin’s cave of quilting cotton and Temple of Michael Miller prints (one day I shall fly to the States just to visit them in person), Masons of Abingdon (it’s a bit like being in the middle of a jumble/garage sale once you walk inside but you can prise some gems from the shelves if you’re prepared to rummage) and also The Eternal Maker who make me sigh with longing at just about every piece of fabric they stock. I must also mention Stone Fabrics, somewhere in Devon, who have gorgeous fabrics and some of the most friendly and helpful staff in the world. Seriously, you guys rock.

3. What’s the one thing you want to sew but are secretly afraid to start?

It’s a Trench Coat. I have the pattern printed and ready to go, some ridiculously expensive cotton sateen in a retro floral, underlining, interlining and lining … but the thought of touching it absolutely terrifies me. Oh, and did I mention, the pattern instructions are poorly translated from Russian? This baby is gonna take some alcohol fuelled dutch courage and a week off work to even think about starting.

4. What’s your favourite TNT pattern?

It’s a tie between Deer & Doe’s Plantain Top (even better it is a free pattern) & Kitshycoo’s Lady Skater Dress. I absolutely love both of them, have made them loads and see even more in my future. “My name is T and I am a knit instant gratification junkie.”

5. What’s your sewing motto?

Babe, where are my scissors?

 

MY FIVE RANDOM FACTS

1. I am the illustrator of a very successful sex book. (No, I don’t think my Dad will ever get over it.)

2. I read all the BBC’s top 100 books in 10 months.

3. I nearly drowned just before my 30th birthday.

4. I have been married three times.

5. I love to tap dance (doubly so if I can wear a hat).

 

MY FIVE NOMINATIONS

Sue at A Colourful Canvas
(I love colour which is why I love this blog. Perfect tonal eye candy for any day of the week. I have no idea where Sue lives but I have secret plans to make her my new BFF).

Amanda at Wear. A. Wyatt

Angela at Sewn by Angela

Cari at Cari Homemaker

L at You Sew Girl
And here are my five questions for these lovely bloggers:

1. What’s your favourite fabric to sew?

2. Do you have a stash and, if so, how big is it? (The fabric police are watching!)

3. What advice would you give to new sewers?

4. What is the favourite tool or gadget in your sewing arsenal?

5. If you could sew an outfit for anyone (alive or dead) who would it be and what would you make them?

I can’t wait to see your answers!